Tuesday, 3 April 2018

Presenting our wonderful new artist, Mamei!

An interesting and insightful interview from our new illustrator, Mamei!




Where do you live/work? 

I live in Dresden, the capitol of Saxony in Germany. 
What do you love about working there? 
I love the mediterranean flair of my city. The summers are very warm and dry and you can sit with friends in one of the many beer gardens on the river Elbe. My studio is located in the scene-district in town. There live many cultures together and you can shop very well. Also, the pubs and cafes are always well visited. There I can quickly make dates with customers, or take a coffee at lunchtime with my colleagues.
What are your dislikes? 
Nationalism and corruption. As far as people are concerned unreliability, arrogance, ignorance and brutality. Jean-Paul Satre said: "Who loves the people must hate what oppresses them."
What do you love most about being an illustrator?
I turned my hobby into my profession. And I've been able to live on it for few years now. Previously I worked in many agencies and had a lot of stress. Now I can organize my time. My illlustration agency helps me with this process too. That's luxury in my eyes. I have more time with my family at the moment.


How do you work – what are your techniques?  
Mostly I draw with pencil, next step I use black ink and an old school analog drawing pen. Finally I add colour on my Wacom Cintiq or Companion ready.


What is your favourite thing to draw? 
My clients says I am a fast pencil narrator. I can develop concepts with them and sketch fast with a pen. On my hidden objects pictures I tell nonverbally the life on the streets and the secrets in the buildings. Things, that you don't normally see at first glance. I love to draw in this style. In Germany we call this "Wimmelbild", a picture with teeming crowds of people. In the Renaissance, the Dutch were the first artists who painted hidden object pictures, oil on canvas. Exciting scenes with lots of people and animals at celebrations on farms and frozen lakes. One of the best was Pieter Brueghel the Elder. Very nice.


Are there any tricky parts to being an illustrator? 
Billings for the tax office is one thing, but otherwise being an illustrator is a dream job. I don't want to change this. For that I accept that I have to constantly learn and always improve. But I think that once you have found your style, you should take care of it and just tweak it a bit.
What or who are you inspired by?  
I love the old illustrators from the first half of the last century. For example, Tony Sarg, Erich Ohser or Walter Trier. I am also influenced by the Russian illustration of the Soviet Union's only cartoon issue until 1989, the "Crocodile". Of the modern hidden objects picture illustrators I like, for example, Ali Mitgutsch or Uli Oesterle very well.
What do you like to do in your spare time when you’re not illustrating? 
My hobby is the old times. More specifically, I am looking for clothes in the style of those days. And I wear them every day. Mostly the solid materials like raw denim. I enjoy that and my wife likes to be dressed by me as well.
How did you get into illustration? 
First I started as a decorator. In a small workshop on the outskirts of Dresden. The first Macintosh computers came out in 1990 and I started to work as a computer graphic designer. After that I worked as an art director in several agencies in Germany and Switzerland. But drawing began to gain the upper hand. And at some point I became a Freelancer. My contacts from that time helped me a lot.
What are your three top tips for aspiring illustrators? 
1. Never hang your head when no orders come. 2. Always improve your own style. Also by rhyming and stealing. Look for new techniques. 3. Work in a team. Then you learn more. Two are stronger than one alone. Three stronger than two. And so on.


What’s your ultimate dream? 
Haha, that's good. Normally, I would already be content to publish outside Europe. But the ultimate kick would probably be to paint a cover for "The New Yorker" once in a lifetime. There the old heroes of my childhood drew. More is not possible in my eyes. I should just believe in it. That definitely helps.

Bologna 2018

Well what a wonderful fair we have had this year! So much work went in to the preparation and it feels like it was all over in a second! Over 90 appointments were had and lots of interest was taken in all our marvellous illustrators work. 

Thank you to all the wonderful PP illustrators and publishers that dropped by our stand for a drink on the Tuesday evening too, we had a fantastic turn out!

We hope everyone enjoyed the fair this year and we very much look forward to starting our Bologna 2019 prep!

Below are a few pictures from the fair this year:






Tuesday, 27 March 2018

Plum Pudding at Bologna so far!

The Plum Pudding team are in full swing at Bologna Book Fair this year! We had a fabulous start yesterday with our agents busy all day running around the fair! Meeting with many an editor and publisher to share the amazing work we have in our artist portfolios, as well as some wonderful book concepts our agents have helped our illustrators with this year!

An amazing start to the fair, now on day two our agents are just as busy with meetings all day, but we are awfully excited for drinks at our stand this evening with our wonderful illustrators that are visiting the fair this year. 





Wednesday, 21 March 2018

Bologna Book Fair 2018

We have been very busy Plums these past few weeks, getting everything ready in preparation for our trip to the Bologna Book Fair!

We are extremely excited to share all the work our wonderful illustrators have been preparing, from lots of fantastic new artwork, to some fantastic book concepts that our agents have been assisting our artists with.

We are delighted to have a stand this year at Bologna too, so make sure to come down to Hall 25 B87 to have a look at what our agents and artists have been working so very hard on over these past few months!

The lovely PP agents have over 90 appointments this year with an array of different publishers and editors and we are all very much looking forward to getting started!


Please take a sneaky peak at some of the wonderful work that we will be showcasing at the fair….





Monday, 12 March 2018

Brand new artist Shelly Laslo!

Our new and wonderful artist Shelly Laslo has shared with us her journey into the wonderful world of illustration! Please have a little read...



Where do you live/work?  

I live in sunny Israel, where I work from home at my small, but well-lit desk. 

What do you love about working there?  

Working from home is both a blessing and a curse- one has an endless amount of freedom! Though I make an effort to not work in my pyjamas, the option is always available. The drawbacks are the home-related distractions like the pile of laundry and cookies in the pantry calling your name all day!




What are your dislikes? 

Loud chewing, phoniness, squeaky markers, and dust. 

What do you love most about being an illustrator? 

Besides getting to call my favorite pastime my "job", it's amazing to be able to create something from nothing- a character, a world, a relationship; all can form in front of your eyes with just a few strokes of a pencil. It really is pretty special. 



How do you work – what are your techniques? 

If I'm working from a brief, then I'll usually start with some sketches in my sketchbook, and tweak things until I'm ready to move onto the final piece, usually digitally on the iPad. If I'm creating some personal work, then anything goes. I might just lay some watercolor on the page and see what forms in front of me. Very often I turn to Pinterest for some visual reference, as I've noticed you pick up interesting nuances when you're not just relying on your imagination. 




What is your favourite thing to draw?  

For years, it was pretty ladies with really amazing outfits. More recently, I've been loving coming up with child characters. (Kids' outfits are even more wonderful to draw, as it turns out!)

Are there any tricky parts to being an illustrator?  

The trickiest part for me is to find the patience between having an idea in my mind's eye and finally shaping it into something I'm happy with on the page. It doesn't always "translate" right away, and I've learned it's sometimes necessary to step away from the project as many times as needed in order to view it with fresh eyes. That way, you can see what you need to change or add in order to capture that original idea. 

What or who are you inspired by?   

Traveling always inspires me, and seeing how the locals live in any particular place. Also, having entered the world of children's books illustration, my own young children are a huge inspiration; the way they might pose, the way they explore the world, and just the hilarious things they do often make their way into my sketchbook.



What do you like to do in your spare time when you’re not illustrating?  

I dabble in photography, and I like to create small sewing DIY crafts. I have a huge industrial sewing machine from my days in fashion design school, and so I try to put it to good use from time to time!

How did you get into illustration?  

I've been drawing since I was little. For most of my childhood I was sure I wanted to become a fashion designer, and eventually went on to complete a Bachelor of Fashion Design at Shenkar College here in Israel. My jobs right out of school were fashion-based, but always had a big emphasis on illustration: I worked for national baby apparel companies, and though I was indeed designing the clothing as well, I was mostly finding myself illustrating the graphics for the tees. I ended up going the freelance route, and for a few years sold design resources like fonts and clip art, which I entirely hand-illustrated. About two years ago, I signed up for an online illustration course called Make Art That Sells, and that opened my eyes to the vast world of opportunities before me. I quickly understood that this- illustration -was the field I truly belonged in. 



What are your three top tips for aspiring illustrators? 

First, create more art! Forget perfect, focus of "practice makes progress" instead. If you focus on creating the quantity, the quality is sure to improve with time. 

Secondly, force yourself to send that work out into the world. That might mean sharing it on social media, or sending it out to potential clients. Or better yet, do both! I've learned, there's room for everyone in this field, you just need to place many eggs in many, many baskets. 

Lastly, love the stage you're at artistically. Yes, you will improve with time, but that's no reason to wait for "later" to pursue your dreams. 

What’s your ultimate dream?  

In my career, I hope to one day author and illustrate a children's book that would become internationally known and loved. There's something magical about the idea of holding a beloved spot on someone's bookshelf, halfway across the globe. 

And in life, my dream is to live a rich and colorful one. And to raise my little ones to be really good and kind people. Yes, that would be my ultimate success. 

Thursday, 22 February 2018

A wonderful interview with new artist Jessica Rose!

Another little interview for you here with one of our amazing new artists Jessica Rose! Jessica has been kind enough to share some tips for aspiring illustrators, as well as her inspirations and some fab pictures to accompany...



Where do you live/work? 

I live in Haworth, a gorgeous Yorkshire village famous for the Bronte sisters. It’s an amazing kooky little place with bags of character and creativity running in the heart of it. So a pretty inspiring place to be.
I work on my illustrations from home. I have a studio space tucked away at the top of the house, but I can sometimes be found working in the lounge or kitchen on an evening...because that’s closer to the chocolate.




What do you love about working there? 

I can wear my Pjs which are the greatest of all clothing items!
Plus living in a village means it’s quiet. If my husband or children aren’t around, the house is silent and it’s easy to buckle down with no distractions.

What are your dislikes? 

Sometimes it can be a bit lonely up in the silence of my studio. I have other work during the week, which means I do get the hustle and bustle of a busy studio, so usually when I’m in my own creative space it’s a pleasant thing.
The room is in the attic so when it’s windy (and up near the pennines means the wind can be pretty strong) it does sound like the roof may blow off.

What do you love most about being an illustrator?

Books transport people away from their world and into someone elses. For children who’s brains are so open to possibilities, books are fuel for imagination, learning and play. I see my children fixate on characters and run to the their dress up cupboard, trying to piece together something that resembles a character they have just seen and heard about in a book. They want to be that character and continue their stories on. Because they’re children and don’t care what anyone thinks, if they want to go walking around in swimming trunks and a cape they will. Illustrating means I get to wear my trunks and cape (metaphorically speaking) and keep my inner child happy. I get to bring worlds and characters to life with drawings and telling a story the way I want others to see it. It feels magical to think something I have created may become a part of a child’s imagination.
Books are magical and I get to be a part of that magic.



How do you work – what are your techniques?  

I tend to start out with sketches. Although I’m a digital illustrator,  the happy accidents made with a  pencil and paper are something I just can’t replicate on my iPad or Mac.
I’ll then either scan or photograph the sketches and use them as a base, then start colouring up in Photoshop. Once I’ve got everything that the pencil sketch had to offer I’ll remove that layer and start to play around with maybe shadows or placement etc till I’m happy.

What is your favourite thing to draw? 

Until recently it would be animals. Doing slightly humorous or fun things. The simple joy of them wearing clothes...who doesn’t like animals in clothes!? Recently though I’ve really been enjoying drawing people and focusing on the different shapes we all have and the huge variations between us all.



Are there any tricky parts to being an illustrator? 

Juggling my time between other work and illustrating. I also have a design job, so I have to keep the balance between work, other work and me time; especially with little ones around. I try to give myself some guidelines to adhere to so I can schedule myself around that.

What or who are you inspired by?  

In my eyes every day is a school day and I think I absorb and learn from all the things around me. From other people’s creative works to something I saw on some packaging, or even the colour combination a randomer may be wearing. Inspiration is everywhere it’s just about picking out what is relevant to me.



What do you like to do in your spare time when you’re not illustrating.

Spend time with my husband and my two children. Any time I have for just me would be spent reading, gaming or being outdoors. Oh and shopping.




How did you get into illustration? 

I’ve always drawn, but the idea of it being my job crept up on me. It was like it was exactly what I wanted, but I didn’t know I’d be able to make it a job. A friend planted an idea worm in my brain. She told me I should be looking at being an illustrator and children’s books based on the work I was creating in my job at the time. Well the worm grew and I realised how much I wanted to do it, so I made it my focus to develop my own style and see if it would lead anywhere.

What are your three top tips for aspiring illustrators? 

1.     Get yourself some awesome super comfy pyjamas for your ‘no one can see me, I'm working at home’ days!
2.     Draw, draw and draw some more...you literally can’t draw too much.
Never think you can’t keep developing or learning. A rolling stone gathers no moss...Or whatever that saying is. Basically, by staying in the same place you could go stale like old bread. Keep moving forward and growing who you are as an illustrator.

3.     Work hard to achieve your goal, but look after yourself too. Listen to your body and mind and nurture them. Don’t take yourself for granted because without you, you couldn't achieve all the amazing things you want to.